"Oh no, we haven't quarreled a bit!" Then with a smile: "We've only diverged." "You really pretend," Fleda asked, "to think me capable of transmitting him that news?"!

She was absent from luncheon, where indeed Fleda had enough to do to look Owen in the face; there would be so much to make that hateful in their common memory of the passage in which his last visit had terminated. This had been her apprehension at least; but as soon as he stood there she was constrained to wonder at the practical simplicity of the ordeal—a simplicity which was really just his own simplicity, the particular thing that, for Fleda Vetch, some other things of course aiding, made almost any direct relation with him pleasant. He had neither wit, nor tact, nor inspiration: all she could say was that when they were together the alienation these charms were usually depended on to allay didn't occur. On this occasion, for instance, he did so much better than "carry off" an awkward remembrance: he simply didn't have it. He had clean forgotten that she was the girl his mother would have fobbed off on him; he was conscious only that she was there in a manner for service—conscious of the dumb instinct that from the first had made him regard her not as complicating his intercourse with that personage, but as simplifying it. Fleda found beautiful that this theory should have survived the incident of the other day; found exquisite that whereas she was conscious, through faint reverberations, that for her kind little circle at large, whom it didn't concern, her tendency had begun to define itself as parasitical, this strong young man, who had a right to judge and even a reason to loathe her, didn't judge and didn't loathe, let her down gently, treated her as if she pleased him, and in fact evidently liked her to be just where she was. She asked herself what he did when Mona denounced her, and the only answer to the question was that perhaps Mona didn't denounce her. If Mona was inarticulate he wasn't such a fool, then, to marry her. That he was glad Fleda was there was at any rate sufficiently shown by the domestic familiarity with which he said to her: "I must tell you I've been having an awful row with my mother. I'm engaged to be married to Miss Brigstock." "I did tell you to let yourself go, but it's clear enough that you really haven't," Mrs. Gereth declared. "If Mona has got him—"

There had been in the first place the exquisite old house itself, early Jacobean, supreme in every part: it was a provocation, an inspiration, a matchless canvas for the picture. Then there had been her husband's sympathy and generosity, his knowledge and love, their perfect accord and beautiful life together, twenty-six years of planning and seeking, a long, sunny harvest of taste and curiosity. Lastly, she never denied, there had been her personal gift, the genius, the passion, the patience of the collector—a patience, an almost infernal cunning, that had enabled her to do it all with a limited command of money. There wouldn't have been money enough for any one else, she said with pride, but there had been money enough for her. They had saved on lots of things in life, and there were lots of things they hadn't had, but they had had in every corner of Europe their swing among the Jews. It was fascinating to poor Fleda, who hadn't a penny in the world nor anything nice at home, and whose only treasure was her subtle mind, to hear this genuine English lady, fresh and fair, young in the fifties, declare with gayety and conviction that she was herself the greatest Jew who had ever tracked a victim. Fleda, with her mother dead, hadn't so much even as a home, and her nearest chance of one was that there was some appearance her sister would become engaged to a curate whose eldest brother was supposed to have property and would perhaps allow him something. Her father paid some of her bills, but he didn't like her to live with him; and she had lately, in Paris, with several hundred other young women, spent a year in a studio, arming herself for the battle of life by a course with an impressionist painter. She was determined to work, but her impressions, or somebody's else, were as yet her only material. Mrs. Gereth had told her she liked her because she had an extraordinary flair; but under the circumstances a flair was a questionable boon: in the dry places in which she had mainly moved she could have borne a chronic catarrh. She was constantly summoned to Cadogan Place, and before the month was out was kept to stay, to pay a visit of which the end, it was agreed, should have nothing to do with the beginning. She had a sense, partly exultant and partly alarmed, of having quickly become necessary to her imperious friend, who indeed gave a reason quite sufficient for it in telling her there was nobody else who understood. From Mrs. Gereth there was in these days an immense deal to understand, though it might be freely summed up in the circumstance that she was wretched. She told Fleda that she couldn't completely know why till she should have seen the things at Poynton. Fleda could perfectly grasp this connection, which was exactly one of the matters that, in their inner mystery, were a blank to everybody else. "Leaving you quite to yourself?" "I see," said Fleda. "Then, if you don't wait—good-bye."